Tilting at windmills; a tempestuous love story; a tasteful collage; virtuosic minimalism; an eccentric job search; emotional turmoil and a Venetian musketeer – all wrapped in Baroque music.
Georg Philipp Telemann: Don Quixote suite, TWV 55:G10
Johann Sebastian Bach: Symphony in D major, BWV 1045
Georg Friedrich Handel: Concerto Grosso in B major, Op. 3, No. 2, HWV 313
Cuopre tal volta il cielo (An Unforeseen Dark Cloud May Cover the Sky) – Cantata, HWV 98;
Francesco Maria Veracini: Orchestral Suite No. 6 in G minor
Georg Friedrich Handel: Spande ancor a mio dispetto (Fate still weighs on me unwelcome) – Cantata, HWV 165
Francesco Maria Veracini: Concerto in D major for Eight Instruments
Andreas Wolf (bass)
Artistic director and Baroque violin: Chouchane Siranossian
Baroque gesture: Sigrid T’Hooft
Tilting at windmills; a tempestuous love story; a tasteful collage; virtuosic minimalism; an eccentric job search; emotional turmoil and a Venetian musketeer – all wrapped in Baroque music. The BFO’s concert, performed using period instruments, will feature seven pieces by four composers. Armenian-French violinist Chouchane Siranossian will lead the orchestra’s performance of seldom played works by Telemann, Handel, Bach, and Veracini. Siranossian’s violin performances, which combine talent and research, have been described as “unique and angelic” (Gramophone), “tremendously dynamic” (The Strad), and “worthy of the spotlight” (Diapason). The cantatas will come alive through Baroque specialist Andreas Wolf’s “powerful, resonant voice with a beautiful bronze tone” (Bachtrack). And, once again, the audience will have the opportunity to enjoy the authentic period choreography of Sigrid T’Hooft, one of the most renowned experts of Baroque gestures, who has been supporting the work of the orchestra for more than fifteen years.
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