Gluck: ORFEO & EURIDICE
1 July 2018, 7.30 P.M. / Palace of Arts (Budapest, Hungary)
Christoph Willibald Gluck:
ORFEO & EURIDICE – The deepest shame is not to feel loved
NorrlansOperan (Umeå, Sweden)
more
1 July 2018, 7.30 P.M. / Palace of Arts (Budapest, Hungary)
Christoph Willibald Gluck:
ORFEO & EURIDICE – The deepest shame is not to feel loved
NorrlansOperan (Umeå, Sweden)
more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Sunday, July 01 2018 7:30PM
1 July 2018, 7.30 P.M. / Palace of Arts (Budapest, Hungary)
Christoph WillibaldGluck:
ORFEO & EURIDICE – The deepest shame is not to feel loved
NorrlansOperan(Umeå, Sweden)
Director: Åsa Kalmér
Conductor: Olof Boman
With: Pannon Philharmonic, Armel Opera Festival’s resident orchestra
NorrlandsOperan Choir
Love is to strive to really be seen by the other.
And after all, it literally does seem to conquer all.
Even death.
Orfeus & Euridice is a dazzlingly passionate opera. Originally, the couple’s story takes place in the middle of Greek mythology. This time, though the plot of their ‘out-of-norm’ relationship isreflected in a modern-day mythology due to the concept of its Swedish director, Åsa Kalmér.
This unique interpretationof one of the most beautiful pieces in opera history is brought to Armel Opera Festival audiences by NorrlandsOperan, a progressive Swedish opera house renowned for its grandiose, spectacular opera productions.
Amor’s role is performed by the young, French soprano, Jeanne Gérard, the finalist of Armel Opera Competition 2017.
The legendary American jazz drummer Brian Blade (Chick Corea, Joshua Redman, Bill Frisell) is both a familiar face in Hungary and also a highly sought-after performer in pop circles, having played with many of the greats, including Joni Mitchell and Bob Dylan. Blade has performed in Hungary on many occasions, including in a trio alongside Norah Jones.
The world-famous Dutch harpsichordist, organist and conductor Ton Koopman, one of the most significant representatives of the international practice of the historically informed performance of early music, turns 80 this October.
The Vujicsics Ensemble, which plays South-Slavic music, has maintained the same line-up ever since their formation 50 years ago.
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